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23-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...

The comedy generally known as “The Barber of Sevilla” is strongly recommended because it contains nothing offensive nor objectionable, and also that it appeals to everybody in its delightfully amusing humor. The cinematographic piece has been pantomimed with the greatest care by competent artists, who have been carefully selected and who have studiously striven to conform themselves to the masterpiece of Beaumarchais. We place also on sale a shortened edition of the same piece, in which the second, fifth and seventh tableaux are taken out. We give our customers the privilege of purchasing any of the tableaux taken out of the shortened edition, urging them to be careful to specify in their orders what tableau or tableaux they desire. In such case we advise first of all the Seventh Tableau, which terminates happily and brilliantly the piece and forms a fine finale to the cinematographic view.

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

A crafty barber acts as a go-between for a count in disguise and rescues Rosina from marriage with her guardian. An operatic comedy.

In a time when operas are often set to different contexts from the ones they were intended for, a philological production has its merits, representing both a rediscovery and a provocation. This Barbiere di Siviglia, which at first sight might appear old-fashioned, restores, in fact, to perfection the setting of an early 19th-centrury Italian theatre. It was a time when the glorious tradition of popular comedy, a direct descendant of the 16th-century "commedia dell'arte", was very much alive, and the singers entertained the audience with humour that was direct and catchy. Bepi Morassi's direction witnesses to the importance of that heritage, based on the improvising skills of actors that came from the common people and needed to communicate concepts of common social life, through colourful costumes, musical instruments and masks modelled on the archetypes of the day. Humour, which here triumphs, makes of this Barbiere di Siviglia, a truly entertaining visual and audio experience.

Under the command of the mysterious Colonel Bracco, PTSD suffering military drone operators Marcy Braccante and Daniel Denham succumb to the pressures of life 'in the box'.

When Rosina falls in love with mysterious young suitor Lindoro, she must use all her cunning – and a little help from her local barber – to outwit her calculating guardian Dr Bartolo. Expect heart-melting serenades, ridiculous disguises and a fairytale ending waiting just out of reach. From the barber’s opening number ‘Largo al factotum,’ with its cry of ‘Figaro!,’ to Rosina’s feisty aria ‘Una voce poco fa,’ Gioachino Rossini’s comic opera is a riotously entertaining affair. Rafael Payare makes his House debut, and joins Christopher Willis in conducting a cast that includes Andrzej Filończyk, Aigul Akhmetshina, Laurence Brownlee, Konu Kim and Bryn Terfel.

Performed at the Lincoln Center. Conducted by Sarah Caldwell. The staging and costuming explicitly telegraphed the characters. For example, Rosina (Beverly Sills) has a gown with feathers and her room resembles a birdcage complete with a swing, telegraphing her as being confined like a bird.. Figaro (Alan Titus) looks like a barber pole, while the notary (Michael Rubino) has an inkwell on his hat. Dr. Bartolo (Donald Gramm) wears two pillars that are cracked after his plans to marry Rosina are thwarted. Tenor Henry Price as Almaviva sports books in his disguise as a student.

理查德·阿米蒂奇、帕斯·贝加（《露西亚的情人》）、约翰·雷吉扎莫（《有色眼镜》）将主演犯罪题材新片《来自罗马的男人》。该片卡司还包括杰拉丁·卓别林（《孤堡惊魂》）、保罗·吉尔福伊尔（《犯罪现场调查》）、马龙·莫雷诺。塞尔吉奥·道自编自导。该片根据阿图罗·佩雷斯 - 雷维特撰写的同名小说改编，故事讲述梵蒂冈情报系统的特工洛伦佐·夸特神父（阿米蒂奇 饰）被派往西班牙的塞维利亚，调查一座倒塌教堂中的几起神秘谋杀事件。影片计划于明年 2 月在西班牙开拍。